AFI Women Directors: Meet Stephanie Martin and Her Film 'Wild Horses'

Stephanie Martin, an accomplished cinematographer turned director, is making waves with her directorial debut, Wild Horses. Born in Sao Paulo and raised in Buenos Aires, Stephanie's passion for film blossomed at Wellesley College. Her journey led her to the American Film Institute, where she honed her skills and directed her first short film, Wild Horses. This film, inspired by the plight of wild horses in the Western United States, is a testament to her dedication to storytelling and social issues.

Wild Horses is featured at AFI as part of the Shorts program.

Film Synopsis

Stephanie Martin: Wild Horses tells the story of Mills, a successful photographer, who returns to her native Nevada following an urgent call from her grandmother. A band of wild horses, dear to them, faces a government roundup. The film explores themes of cruelty, courage, love, and memory as two generations of women confront the harsh realities of wild horse roundups in the American West.

Inspiration Behind the Story

SM: Horses have always held a special place in my heart and family history. Growing up in Argentina, I was surrounded by horses, and I wanted to highlight a pressing social issue that should not be ignored. Inspired by Anna Sewell's words, "If we see cruelty or wrong that we have the power to stop and do nothing, we make ourselves sharers in the guilt," I co-wrote the script with my friend and Wellesley roommate, Producer Jessica Walsh. Our goal was to reach a broader audience and inspire action through storytelling.

While many documentaries exist on the subject, they often reach only those already aware of the issue. We aimed to create a narrative that would captivate and inform a wider audience. Our film's impact at festivals has been profound, and we hope to expand its reach through platforms like iTunes. The journey from cinematographer to director has been fulfilling, and I am grateful for the opportunity to raise awareness.

Challenges Faced During Production

SM: The production was fraught with challenges, particularly fundraising and working within the constraints of the AFI Directing Workshop for Women. The most significant challenge was filming with 45 horses and a helicopter hovering above, ensuring safety for all involved. We collaborated closely with the American Humane Association to protect the horses, and we were fortunate to have a dedicated team, including cinematographer Robert Richardson and photographer Melissa Farlow. Their commitment was crucial to our success.

Advice for Aspiring Female Directors

SM: Always strive to do your best work. Let your gender inform your work, but don't let it define you. When possible, provide opportunities for women. If choosing between equally qualified candidates, consider giving the job to a woman. We must lead by example.

Future Opportunities in Film Distribution

SM: The landscape of film distribution is evolving, with many platforms still in their trial phases. It's beneficial for independent filmmakers to have multiple distribution avenues. While I prefer the cinematic experience, the accessibility of films on digital platforms is a positive development, allowing more people to engage with our work.

Favorite Women-Directed Films

SM: Among my favorite films is The Piano, a haunting story that has stayed with me. I also admire Stander by Bronwen Hughes, Mansfield Park by Patricia Rozema, and Lost in Translation by Sofia Coppola. These films showcase the unique perspectives and talents of women directors.

Originally posted by Women and Hollywood.